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New Album: In Spades

Germany ’99 Review

Afghan Whigs De Oosterpoort, Groningen, March 20th + Soundgarden, Dortmund, April 4th 1999 Luna Kafe

Feel His Pain

Afghan Whigs’ Greg Dulli is the unsexiest sexy mutha you’ll ever meet BY ROBERT WILONSKY

Seattle Show Review

Afghan Whigs serve up grungy soul, as upbeat Greg Dulli steals the show Papa’s got a brand new toy. Perhaps you have read one of the music-magazine interviews in which alternative rocker Greg Dulli talked about being treated for depression. Judging by last night’s Afghan Whigs show at a packed Showbox, Dulli is out of his blue period and into Brown.

AP – Greatest Albums of the 90s

December ’98 Issue Alternative Press Magazine Gentlemen ranked #14 on the top 90 Albums of the 90s Review by Steven Chean

Album of the Year

Afghan Whigs: 1965 Portrait Magazine Gritty, rambunctious takes on the boy meets girl, boy seduces girl, boy deals with consequences theme covers the face value style of Afghan Whigs leader Greg Dulli.

Afghan Whigs inspire hysteria

Afghan Whigs inspire hysteria – Arts By Jeff Randall When I was a kid – say about 12 or 13 years old – about the only music I would listen to was Beatles music. My dad, ’60s pop aficionado that he was, had every Beatles album on vinyl; and I used to sit for hours, listening to “Revolver,” “Rubber Soul,” “Sgt. Pepper’s Lonely Hearts Club Band,” “Abbey Road” (“Abbey Road” was the best) and all the rest of those magnificent works of art. I guess…

Afghan Whigs slide into sophistication

Greg Dulli led the Afghan Whigs in an amazing performance at Clutch Cargo’s. By Lucas Rakocija For the Michigan Daily

Concert Direct – Metro Review

The Metro in Chicao, IL November 12, 1998 Written by Jeff Keele

Afghan Whigs discover their soul in N’Awlins

Now Toronto By KIM HUGHES Sooner or later, the city of New Orleans and Afghan Whigs leader Greg Dulli were bound to collide.

Fire Starter

The Afghan Whigs keep burning by Matt Ashare Afghan Whigs The tense sizzle of a struck match is the scene-setting sound that punctuates the start of 1965, the seventh album from the Afghan Whigs, and their first since leaving Elektra for Columbia. As far as I know, the last person to employ that little device was Lou Reed, whose 1978 live disc Take No Prisoners (Arista) opened with the sound of a cigarette being lit, fair warning that rock’s poet laureate had commenced blowing smoke…

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